Level IIIconographic

· run 343633

At Level II the archive asks what the motifs of Level I depict — the conventional subjects a contemporary viewer would have recognised. Candid Garden holds no curated iconographic reading for this work. What follows is therefore not an identification but a description of the material an identification would be built from: 60 motifs distributed across 3 subject classes.

Of those motifs, 42 are more often supplied by human annotators than by the model across the corpus as a whole, and 12 more often by the model. This is a corpus-wide tendency of each term, not a measurement of this work, and it should not be read as agreement about this picture.

No iconographic reading on record · Level II awaiting editorial pass

Subject classes
Subject classes present on this work, by weight
ClassMotifsWeight
pre-iconographic4872
iconographic79
iconological55

Level IIIIconological

· run 343633

Canterbury Psalter von Paris

Unattributed, 1180–1190

Level III asks what the work meant — to its makers, its patrons, and the culture that produced it — and what the machine's reading of it reveals about the machine. Candid Garden publishes no iconological synthesis for this work.

We consider this the honest state of the record rather than a gap to be papered over. A model that has named 60 motifs has not thereby interpreted a painting, and the distance between those two things is the subject of this institute.

No iconological reading on record

Provenance
Dataset
ARTigo
Run
343633
Generated
01/01/70
Human check
UNREVIEWED
Dispute this reading →
Read by the machine as

rot · baum · mann · nackt · blau · pflanzen · vogel · adam · paradies · erde