Level IPre-iconographic
Reiseskizze aus Brasilien - Ansicht von der Spitze des Corcovado, auf 1500 Fuss Höhe, auf den Ocean (Ausschnitt)
Thomas Ender, 1817–1818
| Record | #26089 |
|---|---|
| Title (EN) | — |
| Period | 1817–1818 |
| Collection | Kupferstichkabinett der Akademie der Bildenden Künste |
| Location | Wien |
| Wikidata | — |
| Attribution | UNREVIEWED |
Level IIIconographic
At Level II the archive asks what the motifs of Level I depict — the conventional subjects a contemporary viewer would have recognised. Candid Garden holds no curated iconographic reading for this work. What follows is therefore not an identification but a description of the material an identification would be built from: 60 motifs distributed across 2 subject classes.
Of those motifs, 57 are more often supplied by human annotators than by the model across the corpus as a whole, and 1 more often by the model. This is a corpus-wide tendency of each term, not a measurement of this work, and it should not be read as agreement about this picture.
No iconographic reading on record · Level II awaiting editorial pass
| Class | Motifs | Weight |
|---|---|---|
| pre-iconographic | 55 | 158 |
| iconographic | 5 | 10 |
Level IIIIconological
Reiseskizze aus Brasilien - Ansicht von der Spitze des Corcovado, auf 1500 Fuss Höhe, auf den Ocean (Ausschnitt)
Thomas Ender, 1817–1818
Level III asks what the work meant — to its makers, its patrons, and the culture that produced it — and what the machine's reading of it reveals about the machine. Candid Garden publishes no iconological synthesis for this work.
We consider this the honest state of the record rather than a gap to be papered over. A model that has named 60 motifs has not thereby interpreted a painting, and the distance between those two things is the subject of this institute.
No iconological reading on record
- Dataset
- ARTigo
- Run
- 26089
- Generated
- 01/01/70
- Human check
- UNREVIEWED
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